Catalog Search Results
Author
Series
Publisher
Stanford University Press
Pub. Date
[2023]
Description
"In Anteaesthetics, Rizvana Bradley begins from the proposition that blackness cannot be represented in modernity's aesthetic regime, but is nevertheless foundational to every representation. Troubling the idea that the aesthetic is sheltered from the antiblack terror that lies just beyond its sanctuary, Bradley insists that blackness cannot make a home within the aesthetic, yet is held as its threshold and aporia. The book problematizes the phenomenological...
Author
Publisher
Thames & Hudson
Pub. Date
2017.
Description
As space for land development in cities shrinks and city dwellers tire of cookie-cutter apartment towers, a love for historical buildings has returned. The initial interest in "lofts" began in SoHo, New York, in the 1970s, and the love of warehouse buildings--often in attractive waterside locations--has since become a global phenomenon. Drawing on her personal experience living in a Grade II listed mill, Sophie Bush has amassed a wealth of knowledge...
Author
Publisher
Paul Mellon Centre for Studies in British Art
Pub. Date
2021.
Description
"The central decades of the 18th century in Britain were crucial to the history of European taste and design. One of the period's most important campaigns of patronage and collecting was that of the 1st Duke and Duchess of Northumberland: Sir Hugh Smithson (1712-86) and Lady Elizabeth Seymour Percy (1716-76). This book examines four houses they refurbished in eclectic architectural styles--Stanwick Hall, Northumberland House, Syon House, and Alnwick...
Author
Publisher
New York University Press
Pub. Date
1990
Description
This is an analytical survey of the thought about painting and sculpture as it unfolded from the early eighteenth to the mid-nineteenth centuries. This was the period during which theories of the visual arts, particularly of painting and sculpture, underwent a radical transformation, as a result of which the intellectual foundations of our modern views on the arts were formed. Because this transformation can only be understood when seen in a broad...
Author
Publisher
MIT
Pub. Date
2005
Description
An exploration of transformations in the nature of the art object and artistic authorship in the last four decades. In this book, Martha Buskirk addresses the interesting fact that since the early 1960s, almost anything can and has been called art. Among other practices, contemporary artists have employed mass-produced elements, impermanent materials, and appropriated imagery, have incorporated performance and video, and have created works through...
10) Beauty
Publisher
Whitechapel
Pub. Date
2009
Description
"Beauty is among the most hotly contested subjects in current discussions on art and culture. After decades of disavowal, beauty's resurgence in recent art has engaged some of the most influential artists and writers. Spanning diverse positions, this anthology assembles the key texts on the cultural politics of the recent phenomenon of beauty, as well as contextualizing these debates - both for and against - in artistic practice and the broader history...
Publisher
Blackwell Pub
Pub. Date
2005
Description
"Theory in Contemporary Art since 1985 is an anthology that captures the essence and the edge of the contemporary art scene. Focusing on key theoretical and aesthetic issues in contemporary art in cultural, historical, and socio-political contexts - including media, architecture, postmodernism, multiculturalism, identity politics, censorship, AIDS, postcolonialism, globalization, technology, and spectatorship - this volume brings together a broad...
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